The second article in my series about the Zionist legal campaign against the UCU for discussing academic boycott — and against the BDS movement in general. Extract:
Antony Julius had taken on Fraser’s case pro bono, he said in a phone call.
Julius defended the readiness of his case, and what he said was an “ironic” comment about his chaotic references: “look at the written submissions and the range of witnesses that were deployed to see how ludicrous it is to say we were not prepared.”
He denied the case was receiving any support from the Israeli government: “I’m sorry to disappoint your fantasy of a conspiracy, but no it isn’t … Why would you assume it’s being supported by the Israeli government? … The question itself can only come from a person who is in thrall to such a fantasy.”
But one of Julius’s own witnesses was boasting to the Israeli press earlier this year about just such a “fantasy.”
Part one is here, but both articles work independent of each other.
The first in my new series of articles looking into the Zionist legal campaign against the UCU for discussing academic boycott — and against the BDS movement in general. Part two likely to follow soon after Christmas. An extract:
The director of Academic Friends of Israel is suing his own union in an employment tribunal. Ronnie Fraser accuses the 120,000-member-strong University and College Union of “institutional anti-Semitism” after its congress passed motions calling for members to discuss the Palestinian call to boycott Israeli universities.
But according to one court document seen by The Electronic Intifada, Fraser follows a definition of anti-Semitism that seems to include any criticism of Israel. It says he considers “anti-Semitism” to include comments “targeting specifically the State of Israel which was conceived as a Jewish state.”
Here is my new arts feature about al-Zaytouna dabke group. Their show is this weekend, don’t miss it!
One of Shakespeare’s more famous plays, Henry V is known for the famous speech in which the eponymous king urges on his warriors: “we happy few, we band of brothers.”
Try picturing it, then, re-imagined through the medium of dance theater, and amalgamated with the story of the Palestinian struggle against Israel. It sounds like an unlikely combination, but it’s exactly what UK dance troupe al-Zaytouna have set out to do with their innovative new production Unto the Breach, which debuts this month.
Anyone visiting the demonstrations against Israel’s wall in the West Bank village of Bilin over the last six years will have likely seen Emad Burnat and his camera, filming everything — anytime he was not in prison or in the hospital, at least.
Five Broken Cameras is the product of years’ worth of Burnat’s footage from these demonstrations. Co-directed by Israeli filmmaker Guy Davidi, the film takes the viewer through five years of the life of the village as the popular resistance against the wall begins.
The boldly titled feature-length documentary How We Can Solve The Palestinian Israeli Problem (which can be viewed online) is the work of Sami Moukaddem, a multi-talented Lebanese psychologist and musician living in Ireland.
Early on, Moukaddem speaks to the camera and says he has no experience as a filmmaker, and that he just wanted to make a film to explain the basic issues: “I simply got tired of western mainstream media presenting the Palestinian-Israeli issue as being complex,” he says. He then narrates from a first-person perspective throughout.
But a recent Israeli court document describes Hamdan as once claiming to have had a position “in the ministry of defense.” The Israeli media has described him as “a proud collaborator,” reported that he and his family are legally armed and noted accusations in his hometown that he works for the Shabak (Israel’s secret police, also known as Shin Bet).